Skip to main content

Fabric & Artwork Digitisation to High Quality TIFF Outputs in Oxford

We are currently working with a well-known UK fabric company preparing digital files from their range of materials for online presence and resale.  

Not all scanners are ideal for this type of order due to colour and precision capture.  Our Quattro X though, is perfect for this type of project, and any professionals who require a high-quality scanner with excellent scan performances.

 

HIGH QUALITY SCANS AND COPIES

Our scanner excels by using 48-bit technology.  This means we can capture every detail from fabrics, rare maps, oversize pages and documents to engineer plans in full colour or greyscale outputs.  The digitised media then passes the best 24-bits through at up to 1200dpi optical resolution to produce the highest quality outputs of your media.  

Our CleanScan CIS modules also help remove shadows created by creases and folds, which makes this the ideal scanner for our client and other professionals who require precision scanning.


SCANNING FASTER IN GREATER DETAIL

We use the latest generation of CIS scanners from Contex, which incorporates technology to match our clients’ requirements for ever higher quality images, faster scan speeds and unrivalled output in all file formats as follows:


FILE FORMATS

TIFF, JPEG, PDF, DWF, CALS, BMP, JPEG2000(JP2), JPEG2000 Extended (JPX), TIFF-G3, TIFF-G4 and most other formats.


COLOUR SPACE

With Colour Space of Adobe RGB, Device RGB, RAW RGB, and sRGB, we can output to your required profile.

 



WHAT TYPES OF ARTWORK/LARGE FORMAT CAN WE SCAN?

✓ Oil on Canvas ✓ Oil on Board ✓ Oil on Paper ✓ Acrylic on Fine Board ✓ Acrylic on Canvas ✓ Acrylic on Paper ✓ Watercolours ✓ Fine Line Drawings ✓ Charcoal & Pastels ✓ Collages & Assemblage ✓ Maps and Posters ✓ Fabrics

  • Printed books
  • Diaries and record books
  • Manuscripts
  • Pamphlets
  • Bound Contracts
  • Wills
  • Photograph albums
  • Atlases
  • Sketchbooks
  • Instruction Manuals
  • Journals
  • Scrapbooks

Kind Regards

Cheryl-Lee Foulsham

Director

 

Oxford Duplication Centre

Corporate, Consumer & Heritage Digitisation

29 Banbury Road Kidlington Oxford OX5 1AQ

T: +44 (0) 1865 457000

W: www.oxfordduplicationcentre.com

E: cheryl@oxfordduplicationcentre.com

Vat Registration Number 982 1644 05

 

Office Hours Monday – Thursday 8-4pm Friday 8-3pm

Collections and Deliveries 10-3pm by appointment

Closed Saturday and Sunday

 

https://www.linkedin.com/in/oxfordduplicationcentre/

https://twitter.com/oxfordduplicate

https://www.instagram.com/oxfordduplication/

 

Comments

Popular posts from this blog

Onion Skin Archive Book Scanning - What is this and how do we process the pages?

CURRENT BOOK SCANNNING PROJECT.  We are currently working on a very large archive of old books that require HQ scanning to Archival TIFF images.  Once processed, these images will be prepared to PDF with OCR (optical character recognition) for a complete searchable output.   The difficulty in this order, is the books are prepared using a medium called Onion Skin Paper. Whilst we are very confident in preparing this type of medium, it is very important to be aware that there are risks with scanning, given the sometimes-fragile nature of the paper.   Tears and rips can occur, so a very gentle white glove approach is required. Equally, with the nature of onion skin, the paper is very translucent which requires a sheet of white paper to be placed under each page before scanning. This then grants a very good HQ image that we can work with.   WHAT IS ONION SKIN PAPER? Onion skin paper is a type of very light weight, almost translucent paper that ...

The Repair Shop - How To Spot A Ferrotype Camera 1855-1940s

After watching The Repair Shop on BBC1 restore a beautiful and rather rare ferrotype camera I thought a blog on the process would be interesting. Not only did they repair but they managed to have the camera working, taking photographs. This was very inspirational given the age of the camera. ABOUT FERROTYPE PROCESS Ferrotypes first appeared in America in the 1850s, but didn’t become popular in Britain until the 1870s. They were still being made by while-you-wait street photographers as late as the 1950s. The ferrotype process was a variation of the collodion positive, and used a similar process to  wet plate photography . A very underexposed negative image was produced on a thin iron plate. It was blackened by painting, lacquering or enamelling, and coated with a collodion photographic emulsion. The dark background gave the resulting image the appearance of a positive. Unlike collodion positives, ferrotypes did not need mounting in a case to produce a positi...

Audio Recording Through the Ages – Oxford Duplication Centre

Audio Recording Through the Ages – Oxford Duplication Centre The late 19 th and 20 th centuries brought with them a huge range of exciting technological developments, including everything from the advent of electrification to railways, telecommunications and engines.  However, an often overlooked breakthrough was the development of audio recording technology – before 1877, there was no way to record and play back sound and music. It’s mindblowing to consider this, especially as today we can digitally encode audio and store thousands of songs on a smartphone! So how did we get to this stage? The 20 th century brought rapid developments to the world of audio, with new technologies transforming formats and production methods every few decades. For example, the earliest technology that could reproduce sound – Thomas Edison’s phonograph – used wax cylinders to store the resulting audio, but the end result was often low quality and with poor fidelity. The ...